My Best Shot - The story behind the picture.
The Guardian, 15 July 2026. Jairzinho, Rio de Janeiro.

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Side-by-side portraits of Michael Donald, one in black and white and the other in color, both showing his face.

This photographer shot a portrait of every living FIFA World Cup Final goalscorer
Amateur Photographer, 17 July 2026. Interview by Steve Fairclough.

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Text discussing Michael Donald, a portrait photographer, meeting Sean Scully, an abstract painter, and Michael's story about growing up in poverty in north London, highlighting his profound words and recommending his work as a must-read.

Editor's letter
The New World, issue 440, 19 June 2025. Matt Kelly on the Sean Scully essay.

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A man with glasses, a beard, and wearing a dark jacket is speaking into a microphone during a talkSPORT radio show. There is a colorful cake in the background and the caption at the bottom mentions Michael's World Cup book about the word 'goal'.

Hawksbee and Jacobs
talkSPORT, June 2026. On Goal!

"It's a sign of a good book when someone steals it from the office."

Booked for ten minutes; the next guest was bumped and the interview ran to twenty-one.

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A short film from the Halycon Gallery where I exhibited with Ronnie Wood and John Pasche in 2014.

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Photograph of a man standing on a sports stadium field, framed by an entrance with concrete walls and a metal railing. The man is identified as Brazil's Carlos Alberto, celebrating his team's 4-1 victory over Italy in the 1970 World Cup final. He is wearing a light-colored shirt and dark pants, with a scenic mountain view in the background.

BBC News about my exhibition with Ronnie Wood in Mayfair Gallery, The Halcyon. 05/02/2014.

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Square Mile
Steve Fairclough, 25 May 2026.

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Lights Camera Austin. Interview with Bruce Ashley and I when Blitzed headlined Austin Film Festival.

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A black and white photo of a man in a suit standing on a football field with a soccer ball in front of him. In the background, there is a stadium with seating and a large curved roof structure.

RangeFinder Magazine. 11 June 2014.

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FOTO8, January 2009. Talking about the Longbow House project.

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On the pictures

“Michael Donald, one of the UK’s greatest portrait photographers, meets Sean Scully - one of our most successful living British abstract painters. It’s an enthralling meeting of creative minds, with Michael trying to understand what it is about abstract art chat can either pass you by or move you to tears. Michael’s words are profound and revealing. It’s my ‘must read’ of the week.” Matt Kelly - Editor in Chief. The New World.

“Michael and I have worked on a number of features together for the Guardian Weekend Magazine. These included being in some people’s personal space at very difficult times. When you are working with, for example, people in the latter stages of Alzheimers and their families or hunger strike survivors, it is paramount not only that these people are treated with sensitivity but also that you have complete faith in the person you are entering such an environment with. Michael was always appropriately sensitive, professional and produced some beautiful pictures for the magazine.” Melanie McFadyean - feature writer, The Guardian Weekend Magazine.

“You’re a genius, Michael. That picture is really me, not the usual ones you see of me with my silly grin.” Jilly Cooper - Author.

“Thanks Michael. That’s Ronnie. For me that picture is Ronnie.” Sherry Daly - Ronnie Wood’s manager.

“Thanks for the pictures, Michael. I love them.” Julie Burchill - The Guardian Weekend Magazine.

“The picture you took of Leonard (Cohen) is unforgettable. I have admired it since I first saw it. It captures his elegance so well.” Christophe Lebold - Author, The Man Who Saw Angels Fall.

“A fellow freezing-cold-lido regular, Michael Donald, has written and photographed a terrific book called GOAL! and made a film in which he interviewed and photographed every living footballer who had scored in a World Cup final. So of course Geoff Hurst and Martin Peters (who has sadly since died) are in there, as are globally recognised superstars like Pele, Brazilian Ronaldo and Zinedine Zidane.” Alastair Campbell - The New European.

“We work regularly with Michael, and have done over many years, on Margins’ annual review. Margins is a grassroots homelessness project in Islington running a night shelter, drop-ins, small group support and a café based supported employment programme. Photographing in these fragile environments, with people whose lives are in real difficulty, who are vulnerable and often have complex needs requires high levels of sensitivity, an ability to connect and build trust - and an instinctive understanding of where the boundaries are. Michael brings all this and a subtle, warm enlivening presence. His approach is reflected in his photographs which have a deep humanity. We’re deeply grateful for the significant contribution Michael makes to communicating Margins’ work.” Rachel Krish - The Union Chapel.

“Michael has worked with Willow on a number charity projects over the past five years. In each case it has involved working with individuals living with life threatening illnesses and he has always been incredible sensitive to both their needs as well as the concerns of their families. He has consistently exceeded our expectations and can always been relied upon to tackle the most difficult of briefs. His images are impactful but have a warmth that perfectly encapsulates and sells our story.” Suzanne Brennan - Campaigns Director, Willow Foundation.

On the books and films

“This book is a joy to read. Phenomenal pictures and behind the scene conversations with the men who changed the lives of countries.” Diane Scavuzzo - Soccer Today.

“Donald’s project is about much more than football; it’s about the changing nature of sport in society and how fate, history and individual excellence combine to create heroes, willing or otherwise.” Rob Alderson - It’s Nice That.

“Donald is now exhibiting a selection of his stunning photographs in Mayfair at the suggestion of Stones guitarist Ronnie Wood, in co-operation with the designer of the original Stones tongue, John Pasche.” Brendan Anderson - BBC.

“Donald’s photographs of the now derelict ashram are at once haunting and beautiful.” Ashwani Sharma - Hindustan Times.